Not on them, but between them. That zone where the filter is half-open and the envelope is still deciding what it wants to be. The sweet spot lives in transition, but most plugins only let you jump from A to B like flipping a light switch.

I've been making presets for hardware and software for over a decade. I was morphing sounds before it became trendy. My "Knob Tech" tutorials for the Boss 505 mk1/mk2 were all about finding the magic in the transitions. I even made morphing system in Loopy Pro. But when I tried to build a proper jamming machine in my DAW, something for freestyle and exploration, for live performance, for playing instead of clicking, I hit a wall. Basic things like preset management, snapshots, morphing, randomization? Nearly impossible to find. The tools didn't exist.

So I built SnappySnap. And now it's possible to generate millions of presets for any plugin.

This is a meta-preset manager. Most people think of a preset as a saved state inside a plugin. SnappySnap thinks bigger: the plugin itself plus its state becomes the preset. You're not just recalling parameter values—you're recalling entire instruments. And you can morph between them, breed them, randomize them, perform with them.

I built this because I was tired of presets feeling final. I wanted my sounds to be alive, strange, spontaneous. One of my favorite things is to load a plugin, I thought I knew completely and morph between random snapshots until I find a sound I've never heard from it before.

This is the tool for people who believe the journey matters more than the destination. For people who jam, who freestyle, who perform, who likes some unpredictable results. For people who know that the most interesting sounds don't live in the presets, they live in the spaces between them.